Abstract

In the Song Dynasy under the esthetic principles of painting with poetry, the painting of scholars attempts to take the poetic conception in it, especially in the painting of Chinese ink bamboos. This context tends to analy the esthetic conciousness of Chinese scholars.

Before the discussion, we could measure the status of bamboos in Chinese scholsrs' minds . Then we continue to explore its expression in paintings and poetry. From some books, the bambooms originate from the concrete object to symbolic sign. Thus we could find that Chinese scholars use them in their works to represent the good virtues and show their own minds at the same time. Huang Ting-Jian who had done a lot of works about bamboos had a great influence on the Wen-Tong bamboom school. He agreed on the insistence of that school and stressed to express the truth with the object.

To sum up , his poetry for bamboo paintings reveals more his esthetic conciousness of poetic conception. This context tries to share his thinking in the terms of (1) mimic, vivid and free strokes;(2)the relation between paintings and poetry,(3)the relation between paintings and calligraphy.

Keywords : Huang Ting-Jian, poetry for paintings, poetry for bamboom paintings, esthetic concionsness, poetry with paintings, paintings of scholars, ink bamboom, Wen-Tong bamboom painting schoolmm