| Sun Yat-sen Journal of Humanities
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| Winter 2005 |
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(2005)
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| Early Modern Music and Literature |
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| To Be or Not To Be Reborn
in Early Modern Europe |
Michael J. B. Allen | 01 |
| Hamlet at the Crossroads:
Aristotelian Themes of Choice and Virtue in Shakespeare’s Hamlet |
Brother Anthony | 11 |
| Applying a Theatrical
Abrasive: Staging Thomas Duffett’s The Mock-Tempest at the King’s Company’s
“Plain Built House” |
Marianne Szlyk | 21 |
| Interaction
of Lyrics and Music in Cinquecento-Madrigal |
Chen Hsi-Ju | 47 |
| Stephen Gosson: Friend or Foe of the Reformed Church Poetics? | Francis K. H. So | 71 |
| The Analysis of Liebermann’s “The First Piano Sonata" | Huang Fung-yin | 85 |
| Bridgework in the Borderlands: Selected Poems and Prose by Marcos McPeek Villatoro | Mary E. Theis | 107 |
| The Quotation and Its Genres | Gary Saul Morson | 125 |
| Chuah Guat Eng: An Interview | Mohammad A. Quayum | 141 |
| Index | 151 | |
| The Chronology of Prof.Chen Chi-mao | 154 | |
| Contribution Style Guide | 157 | |
| Call for Papers | 159 |